You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. In order to craft a compelling crime-thriller in an era saturated with the genre’s cyclical clichés, one needs to master narrative pace and visual storytelling, along with soundscapes that heighten cinematic catharsis. Posted by 6 years ago.

Directed by Denis Villeneuve. that returns to haunt Dover in the film’s final moments. 31 comments.
In Canada we don’t have a lot of money but we have a lot of freedom, and for me that was something that was very precious,” he said. We witness Dover (a carpenter by profession), stock his basement with emergency provisions that could potentially outlast an apocalypse. 5.8k shares. Watch all you want. …

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Faith, or lack thereof, is a propeller for character motivations in. Dover, armed with his faith in God and the mercurial wrath of a distressed parent, chooses violence, brutally torturing Alex in the process, with catastrophic consequences. zergnet.type = 'text/javascript'; zergnet.async = true; However, despite saving the day, Loki returns to the crime scene, even after the forensics team leaves empty-handed – a reaffirmation of his. It was Villeneuve's first English-language feature film. Learn more or change your cookie preferences. Every month in The Pit, prisoners are moved to different floors, and Goreng ends up on Level 6, one of the highest levels in the entire prison. (function() { Throughout Prisoners, we are witnesses to Loki’s compulsive persistence and Dover’s survivalist resilience, which eventually pay off in the film’s final moments. WARNING: This article contains major spoilers from The Platform on Netflix! The Platform is most certainly a thinker, one that will stick with you for a while, especially when it comes to the film's incredibly open, head-scratching finale. (2010). It is difficult not to speculate what lies ahead for Dover, now that his family is safe, yet he, a broken man, plagued by sin and repentance, does not have the luxury to stick around the ones he is so fiercely protective of.
The ending instils a sense of lingering anxiety in us, a sense of morbid curiosity, which is exactly what Villeneuve and Guzikowski are aiming for. No one does this better than Denis Villeneuve, the visionary Quebecois director who emerged into the limelight with his critically-acclaimed, monochrome drama. (He finally won for “Blade Runner 2049.”) While the two didn’t team up for Villeneuve’s upcoming “Dune,” as the cinematography honors went to “Lion” and “Rogue One” DP Greig Fraser, they remain in touch and inspired by one another. a notch-above competent thriller is its ending – without dialogue or further exposition, the metaphors speak for themselves, as they often do, in art, and in life.


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